SYNTHESIS

Synthesis

I set myself the challenge of producing one track per day, for a week.

Purely improvised, with no drums anywhere. Although I didn't quite stick to

one track per day, the mini-album did come together in the space of seven

days.

As a synaesthete, colour is important to the music - even if it's only in my

head. With Synthesis I had envisaged colours and textures in constant

evolution with the music, and the sminimalistic album cover grew out of the same idea.

The music of Synthesis grew out of a project I started after

Tranquility, focussing purely on dreamy atmospheres and trying to

achieve a sense of spirituality and calm through music. I denied myself the

use of any rhythm tracks and made sure the music wasn't too dense or

layered. The final running time of Synthesis was less than 30

minutes, therefore a perfect album to put on and chill out to; escape and

drift away.



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	Synthesis I set myself the challenge of producing one track per day, for a week. Purely improvised, with no drums anywhere. Although I didn't quite stick to one track per day, the mini-album did come together in the space of seven days. As a synaesthete, colour is important to the music - even if it's only in my head. With Synthesis I had envisaged colours and textures in constant evolution with the music, and the sminimalistic album cover grew out of the same idea. The music of Synthesis grew out of a project I started after Tranquility, focussing purely on dreamy atmospheres and trying to achieve a sense of spirituality and calm through music. I denied myself the use of any rhythm tracks and made sure the music wasn't too dense or layered. The final running time of Synthesis was less than 30 minutes, therefore a perfect album to put on and chill out to; escape and drift away. Copyright Alex Storer 2006.


1. Synthesis – part one (4:47) 2. Synthesis – part two (2:43) 3. Synthesis – part three (4:30) 4. Synthesis – part four (5:09) 5. Synthesis – part five (5:27) 6. Synthesis – part six (3:09)